(
currently a holding place for bits which may ultimately end up elsewhere
)
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sound
music noise
-
loops
(generative)
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layering
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text
-
work
made for audiences and not (incidental audiences)
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collaborations
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'curated'
shows
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technology
(geek notes)
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sound
music noise
it
may perhaps be seen as an inherent problem that there should be an
emphasis on sound music noise in works being presented as part of
a doctorate in visual arts however it needs to be recognized that
in multimedia (not to mention film and video) that sound and image
are nearly always found together and when effectively used together
complement and reinforce each other
in
my view that it is always possible to say something about the relationship
between a sound or music and image/s even if it is only that there
is intentionally or unintentionally no relationship
i
like to work with sound and music which evoke a strong visual response
but in their own right without being designed as sound tracks
often
i will use appropriated elements in my sound work which are severed
from the image/s they belong to because i find the images they cause
the listener to imagine more interesting than the 'originals'
need
to include something on dissonance discord resolution silence
loops
i
am particularly interested in the use of loops in sound - particularly
when loops of different lengths are used together which allows different
relationships between the loops to emerge over time - as so often
happens in the arts i was under the illusion that this idea with which
i have been working for a decade or more was my own unique invention
but of course it is what brian eno calls "generative music" and extensive
work had been done in this field by steve reich and others
in
the sad men i had also began experimenting with looping digital video
in this way - this is more fully implemented in the ana suite
layering
a
favourite technique which i find myself returning to again and again
as i work across different mediums over time - i find it not only
aesthetically satisfying but it is such an appropriate methaphor in
that we are often listening to or looking at things through other
things and something interesting can happen when we are able to refocus
our listening or looking and tune in to these layers (cf john
cage)
text
and language
I am interested in Òuntying
the bonds of language and opening up new social, analytical and
aesthetic practices andÉ offering alternatives to the sense of ethical
and aesthetic abdication and intellectual prostitution (...) associated
with those artists and theorists preoccupied with academic fashion
and with the mediocrity of mass-culture and the media marketsÉÓ
Zurbrugg, N. Postmodernism & Ethical Abstraction (Felix Guattari
Interview) Photofile 39 July 1993
i have a dreadful secret
: i was a poet and a writer for a long time before i was a visual
artist (just as i was a musician/composer for
a long time before i was a sound artist) -
but there is something ugly about the phrase i am a poet and
yes i do write but i like to use this text for art ends rather than
writerly ends - i am an artist using text (or sound) rather than a
poet (or a musician/composer)
but i have a great deal
of respect for writers (and musician/composers) : recently i found
myself in a room in which a television happened to be on showing a
programme about the australian poet john
forbes of who i had never heard and it was one of those experiences
which makes tv in spite of everything such a wonderful medium - in
the the same way as radio - all of a sudden a song comes on which
you have never heard before and you are absolutely transfixed and
if it wasn't for that radio
but there is something
about text like there is something about music about sound which is
so immediate that it moves me beyond description there is something
about a word or two or three
and it happens rarely
and for me - as one for whom english is my second language it has
only happened maybe on one or two occasions in english : but i can
connect with a writer instantaneously in a flash through a very few
of his or her words