"Oren Ambarchi and minus eleven error (Johannes Klabbers) presented an installation in an unlit old train carriage. The audience moved through and sat in the compartments which each contained a particular sound. Big waves of bass were felt as much as heard, with the connecting passageway containing a voice (Joseph Beuys) muttering “nee, nee, nee” at one end and “ja, ja, ja” at the other. The raw physicality of the bass contrasted with the simple philosophy of the speech, with the repetition of both parts making for a slightly hypnotic sense of abstraction."